
Compared to its children, the MKII generation of Japan’s Celica Supra did not garner the same level of media attention. While it elicited all of the same emotions for enthusiasts, it lacked the underground-tuner-culture mystique we had grown to see on the big screen — or so we thought. On the other side of the world, the A60’s name carried weight: It was at the center of Japanese drift culture and the top of gearheads’ wishlists. It was the star of its own world: a poster-car worthy of a young enthusiast’s bedroom wall.